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2011 Session 3 Contest Winner! Dragon's Tears by James Williams

Dragon's Tears (1497 WC) [Some Violence]

by James Williams



Through the white of his breath on autumn air, Oswyn watched a crimson  tendril bleed across the night sky like an opening wound. Comets, the  scholars called them. The priests of the Holy Circle said they were fallen  heroes, soaring across the heavens on wings of fire gifted by the gods for  brave deeds. He wondered if he might earn himself a pair of wings tonight  instead of a trip through one of the nine hells.

"Lord Oswyn," a voice spoke.

He turned to meet Sir Holden, who he scarcely recognized. He wore a  servant's garb, and had shaved his thick beard.

"You've kept me waiting in the cold, Sir," Oswyn said. "Was there  difficulty on the way?"

"Nothing too taxing, My Lord." He reached into the folds of his roughspun  garment and produced a small vial of liquid. "The Brothers thank you once  more. They shall sing songs of this day."

Oswyn slipped the vial into his sleeve. "Do tell them to sheath their  quills until the deed is done. If I'm to survive this, it will take quite a  bit more preparation. I would hate for His Grace to hear songs of his death  while he yet lives."

"Do not tarry long," Holden said. "We prefer a bloodless death, but other  means shall be pursued if it's not done within the fortnight."

"You've made that clear, Sir. Though I wonder what those means could be;  the Brothers have no army. The harvest tourney is in a fortnight. Do you  intend to lure His Grace into the melee and slay him yourself?"

"Your japes are uncalled for, My Lord. We are capable, rest assured."

Oswyn sighed, birthing another cloud of mist about his head. He looked back  to the red blade in the sky and gestured. "Ever see a winged hero, Sir  Holden? Chance is upon you."

The knight followed his gaze and smiled. "We Southrons don't follow the  Circle. Our heroes stay in the dirt where we bury them."

"Then what do you call that?"

"The old ones call them dragon's tears. It is said the Great Dragon who  forged the world through clenched teeth rests in the heavens, watching.  When the realm bleeds, the Dragon weeps."

***


Oswyn sat in his bedchamber, turning the vial over in his hand as he'd done  every morning for a week. Had it really come to this? He'd known King  Caelen when they were but scruffy boys with skinned knees. When the war  came, Oswyn pledged every sword at his command to Caelen's cause. He was  given a seat on the royal assembly for his part in winning the throne. Now  here he sat, plotting his friend's death.

Caelen had changed in recent years. Screams were often heard from the  dungeons, where men were tortured for reasons unknown. The lords he'd  surrounded himself with began to die, burned alive at his own command. The  highborn whispered of madness, while the smallfolk had taken to calling him  Caelen the Cruel.

Oswyn concealed the vial as a knock came. The royal squire entered with a  summons from the king himself. He felt a wisp of fear lash at his neck.  Lately Caelen spent most of his time locked away in his tower, while the  assembly did their best to govern the realm without him.

When he entered the royal chambers, Oswyn was met with a surprising  embrace. "Well met," Caelen said. "We must speak of traitors in our midst."

The lump in Oswyn's sleeve seemed to grow heavy. "By all means, Your  Grace."

Caelen brought a hand up to his silvering beard. "I mean to name you  viceroy."

Oswyn's brows came together as bewilderment replaced fear. "Viceroy? After  Robert burned, it was said you no longer saw need for one."

"Rash words. I need a friend at my side, now more than ever. I've filled my  court with fools and wolves, and you're the last among them I can trust. A  shadow looms from the East. I need your help if I'm to drive it back."

"There is nothing east; the realm is yours from shore to shore. The old  kingdoms are long scattered to the winds."

"Aye, but the shadow I speak of lies beyond the shore," Caelen said. "A  black hand is reaching across the sea and grasping for my throne. Their  agents are at my back and under my bed, plotting my demise as we speak.  I've burned as many as I can."

"Why have you not spoken of this before?"

"I must be careful how I speak these days, Os. There are cracks in this  castle, and words are slippery things. This is why I need you. Will you  help me in this?"

Oswyn fell to one knee. "I'll do whatever I can, Your Grace."

The king smiled. "You always have. Rise, Viceroy."

***


After the announcement of his new title, Oswyn knew the Brothers would  strike. But to accuse Holden would mean implicating himself, and he feared  Caelen's fire. So he waited like a fool, until his guilt grew too heavy to  bear.

When he finally entered the king's chambers with truth upon his lips,  Caelen was not alone. Sir Holden leaned against the hearth with a half- empty glass of wine. "Speak of the storm and clouds approach," he said.  "Come to finish what you started, Lord Viceroy?"

Before he could reply, the heavy wooden doors behind him slammed shut. The  guards had followed him in.

"My wine taster is dead," Caelen said.

Oswyn's fists clenched. "Your Grace, whatever he's told you is a lie."

"What of my cellar guards, who say the viceroy ordered them aside? What of  the men who searched your rooms?" He threw a glass vial at Oswyn's feet.

Oswyn stared at the shattered pieces, as the guards took his arms. "Caelen,  you've known me all your life."

"Aye, your betrayal is all the more wounding. Plead your innocence to the  dungeon walls."

"For what crime?"

It was Sir Holden who answered. "Regicide," he said, as the point of his  sword pierced the king's unarmored back.

***


He was unsure how long he'd been kept in the darkness, as time lost all  meaning. It was long enough for the glare of the sun to blind him when they  dragged him out.

They carried him up stairs and down hallways, ignoring his moans until  finally coming to a stop and letting him fall to his knees. When sight  returned, he saw the throne. On it sat a man with olive skin, wearing  ornate silk robes. He spoke in a language Oswyn had never heard before. As  fair a woman as he'd ever seen stood at his right hand, speaking in the  common tongue. "Silas the Exalted wishes to know your name, and why you  stabbed your king."

His voice cracked and faltered from disuse. "Oswyn, born of Edwyn, lord of  the second house of Versa, and I did no such thing."

"A poor lie." An odd kindling of fear and rage stirred inside Oswyn as Sir  Holden spoke. "I was there when Caelen died at his hands, Your Exultance.  The king was a madman, true. The realm cried out for a just ruler to take  his place. But treason is treason, and this man is an oath breaker. He  should be put to death."

"Holden flavors his falsehood with truth," Oswyn said. "Caelen's blood is  on my hands, but I never brought steel against him. It was through fear and  inaction that I killed my king. I watched as the castle crumbled around  him, even tore down a few bricks myself, and failed to reach out. It was  this false knight's sword which slew Caelen, but I let it happen."

Silas smiled and spoke again. "Silas the Exalted is pleased you have spoken  truly, Lord Oswyn. He knew of your plot with Sir Holden and of your  reluctance to act in the end. He wished to see if you'd claim the king's  death to gain favor."

Sir Holden took a step closer to the throne, nostrils flaring. "His  Exultance has been given false counsel if he believes I had anything to do  with Caelen's death. I serve the throne, now and always."

When Silas spoke again, there was no translation. The guards fell upon Sir  Holden. He made the mistake of drawing his sword, and was cut down where he  stood. As they dragged his carcass away, the irons about Oswyn's wrists  were released.

"Rise, Lord Viceroy," the king spoke through his translator. "Silas the  Exalted has use for you. If his subjects are to love and obey, he must have  a familiar face to show them. He must have a voice free of eastern  intonation to carry his will. Most of all, he must have the service of  someone who has seen the harsh penalty of reluctance, indecision, and  disloyalty."

Oswyn rose and met his new king's gaze. "That much I gladly swear, Your  Exultance. One thing I shall never do again is hesitate."

Interview With Our Winner - James Williams

Interview with James Williams

by jcaska


1. How did you come up with the idea for your story?


Often my ideas just seem to float out of the aether and into my noggin  (often at the most inconvenient of times), but for this story I chased  after the muse instead of waiting for her to come around. I sat down and  forced myself to type something, anything. This is what came out:


"A man stands alone, watching the sky."


From there, I started to ask myself questions about that sentence. Why is  he watching the sky? Why is he alone? Where is he? Who is he? That one  sentence was the foundation the rest of the story was built upon, one brick  at a time. This is how I approached most of my work for F2K.


2. How long did it take you to write “Dragon's Tears”?


I completed the first draft in one sitting. I'd say it took about four  hours, give or take. I spent the next day rewriting and trimming it down.  From there, I came back to it sporadically throughout the rest of my work  week with rereads and edits in my spare time.


3. What was the writing process involved in creating this piece?



I'm a pretty ritualistic guy; I have a specific routine that I adhere to  when I sit down to write. It's nothing magic or mystical, no muse  prayers... just a fresh cup of coffee, some ambient music, and my lucky  writing hat.


In the past, I've taken the "outline" route with my work, but all of my  writing for F2K I wrote by the seat of my pants, so to speak.


4. Was there anything surprising that came up in the story - something you  maybe weren’t expecting?


The entire final act was a surprise to me. When I got rolling in the story,  I was expecting to end it with the confrontation between Oswyn and Caelen.  The ending I'd originally envisioned had a much different tone and outcome.  But sometimes the story dictates to the writer!


5. What was the revision process like for this story?


It was a real battle. It's funny, leading up to the final week I was  excited for the higher word limit. Then I ended up cutting more from this  than any other piece! My first draft far exceeded the limit, so a lot went  into the trash, including an entire 'harvest tourney' scene. But tough cuts  usually make for tighter work, and I'm happier with the end result than I  thought I would be when I was pulling my hair out trying to decide how to  maim my precious story.


6. Is there any aspect of your writing in “Dragon's Tears” you could  identify as something you’d like to change, or perhaps improve upon?


I'm always growing and learning as a writer, and looking back now there are  probably some stylistic changes that I'd make in a couple of areas. Beyond  that, most of my regrets with Dragon's Tears were symptoms of the cuts that  I had to make. I would love to revisit it one day and put some meat on its  bones. The first thing I'd add is more description. I'd also like to let  the reader into Oswyn's head a bit more.


7. What aspect of your F2K learning feels the most significant to your  success with “Dragon's Tears”?


The feedback side of F2K was a great experience. Beyond the great feedback  that I received for my own writing, I also learned a lot by examining the  work of my classmates. In the past, I've been reluctant to offer my opinion  on other writers' work. Learning to be comfortable with that in F2K helped  me to better recognize things in my own writing that need work.


My confidence as a writer also grew tremendously over the course of F2K.  The encouragement I received from the mentors and fellow writers here has  been tremendous, and I'm grateful for every word of it. If not for the kind  words of everyone here, who's to say if I'd even have made it through the  course, much less won the contest?


8. What reaction from the story’s readers has most surprised you, or  disappointed you?


It's always great to see how people react to my work, good or bad. I tend  to write the kind of stories that stray from the typical good guy/bad guy  paradigm, and I like to leave a lot of ambiguity and room for  interpretation. It's fun to see how people take that, and how they fill the  gaps that I leave for them.


I'll be honest, I was surprised at some of the flattering comments I  received when I initially posted the story. I don't delude myself in any  way, I still consider myself new at this. So the overwhelming positive  response that I've received with some of my work has taken me aback at  certain points. As I mentioned before, it's been very encouraging.


9. What, as a writer, scares you the most?


Failure. I will always be a writer, whether I'm getting paid to do it or  not. But I would love to do this for a living one day. I'm starting to take  my first tentative steps into the professional world, and I can't help but  hear those doubts that most of us probably have buzzing around in our ears.  I'm determined to give it my all, but I have a tendency to question myself.


10. What is the best writing advice you’ve ever received?


There are lots of different approaches out there to what we do, but there  is one fundamental piece of advice that just about every writing hero or  teacher I've ever had has been consistent about. If you want to be a good  writer, there are two things you must do every day:


You must read! Read novels, read short stories. Read within your genre,  read without. Read the classics, read the obscure. Read, read, read!  As a  writer, I've learned more from reading than anything else. Even the bad  stuff can teach us something.


The second thing probably goes without saying. You must write! Write every  day, even if it seems you don't have the time, even if it's only one page.  Even a couple of hundred words are better than nothing.


11. Do you have any plans for “Dragon's Tears” beyond publication in the  F2Kzine?


I think at some point down the road I'll come back to it and give it a nice  rewrite. I'll probably flesh it out a bit more and reintroduce some of the  elements that were cut. If I'm still happy with it after that, I may  consider seeking publication for it in a professional market.


12. What direction is your writing taking now?


F2K had a very big influence on the direction my work has been taking. When  this session began, I was in the middle of a science-fiction novel that  I've been working on for quite some time. SF has always been my main genre  of choice. But something strange happened during F2K.


As an experiment, I chose to abandon my typical method of preplanning my  work before sitting down to write. What began to emerge was mainly fantasy.  I've had very little experience writing fantasy before now, but it feels  natural to me. This is also the first time I've ever made any genuine  attempt at short fiction.  As a result, the novel I was working on has  taken a back seat for now, while I play in my newfound genre of choice.  Since F2K ended, I've been working on short stories, including one that I'm  currently shopping around for publication.

~~~~~~~~~~~~~~~~~~~~

BIO:


James Williams
has been writing stories since he's been old enough to use a  pen. His work has been published previously in the video games industry,  including work as a Senior Editor and Writer on the video game Academagia  for PC. He is currently working on a science-fiction novel, as well as  several short stories that take place in the same world as Dragon's Tears.  When not glued to the writing desk, he enjoys a passion for music, games,  and martial arts. He lives in south Florida with Allison, his girlfriend of  six years, and a bratty dog named Rusty.

Cinderella, the Real Story - by Mary Matsumoto

Cinderella, the Real Story (WC: 1500)

by Mary Matsumoto


I’ll bet you’ve read the Cinderella story a hundred times (yawn)—Cindy’s version, that is.

But let me tell you what really happened.

First, my name’s Annestasia, Ann for short. And my older sister? Her name’s Drucella. Call her Dru. Cindy’s our stepsister—you know, blended family?

You see, when Cindy’s mom, a model for Victoria’s Secret, took off with the photographer, Cindy’s father, was devastated. Enter: my mother.

“Ann, put that dress on and get out here this minute!”

That ear-splitting voice from the other room is Mother. See, the company where Father works is having this banquet slash dance—a formal affair. Word’s out the boss’s son, David, is looking for a wife. He’s heir to the company—and his father’s money. It’s the biggest company in town. Everyone works there. They make sports shoes—as in jogging, golf, bowling. You know what I mean.

Actually, the boss has another son, too, an older one—Harold Scott Williams II. He’s a recluse. So everyone’s attention is on David.

Me? No. I’m not interested, definitely not interested. Cindy and Dru can have him.

“Ann?”

I hear footsteps tap, tap on the wood floor outside my room, and I snap my laptop shut, then shove it under the pillow. Not a moment too soon because the door flies open. Mother says I spend way too much time online.

“So help me, Ann, you get that dress on or I’ll put it on you myself.”

Yeah, right. Like she could.

See, I’m what you call a full size gal—queen size. Queen? That’s a laugh. I feel like a queen—not! Look at me. Fat bulging out like dough in a bread pan. I haven’t the courage to step foot on the scale, let alone to a formal banquet. And to add to my humiliation, Mother picked out the dress.

“Put that dress on,” she stretches out the words like the elastic on my hideous outfit. “Now.”

She slams the door, and I hear her heels click down the hallway. When I think it’s safe, I slide my laptop out, log on, and type, “Harry, are you there?”

Harry’s my best friend—but my laptop comes next. I’d die without my laptop.

Not that I’ve ever met Harry for real. We bumped into each other on the forum of Weight Watchers Online. Before you knew it, we were private messaging, exchanged e-mail addresses, and now we chat regularly.

“Yeah, I’m here, Ann.”

“My mom’s having a fit. She’s making me go to the banquet.”

“You should go.”

“I’ll be the fat, homely girl in a red satin dancehall dress—puffy sleeves, ruffled skirt. My mom picked it out. I’ll die.”

“Listen, Ann. I worked it out so I’ll be there, too. You have to go.”

I sit stunned, hands resting on the keyboard, and look at myself in the mirror. “Maybe that’s not such a good idea.”

“Come on, Ann.”

“Listen, Harry. I’m not the woman you see in fashion magazines. I’m the sweat suit, size eleven jogging shoes type of girl.”

“I like sweats and jogging shoes.”

That’s my Harry. He always makes me smile.

After I log off, I wiggle the dress on. I can’t even close the zipper. Great. I throw myself onto the bed, and break down in tears, drowning in red satin.

I’m doomed.

The next day, eyes red and puffy, I tell myself I’m going to lose weight. I can do this. How hard can it be? Cindy’s slender. Maybe it’s the cleaning she loves to do—down on your knees, scrub the floor kind of cleaning. Exercise. You know, that eight-lettered word?

So I fill a bucket with water and start scrubbing, but Cindy comes in and tells me to get out of “her kitchen.”

I go back to my room to look up diets on the internet. I think that may be the way to go, until I smell chocolate cake wafting up from Cindy’s kitchen. She’s doing this on purpose. Keep us fat to get rid of the competition for David’s hand. I’ll bet she’s responsible for my dancehall dress, too. How low can you get?

So here I sit in ten yards of red satin after dinner at the Williams’ mansion, watching everyone dance to “Move Ya Body,” and I know I’m not going to move my body off this chair. Dru hasn’t been asked to dance either, but Cindy made sure David asked her. She has her ways.

I look around the room for the hundredth time, searching for Harry. I don’t know what he looks like, so everyone’s suspect.

Then I see a guy walking my way. He’s carrying two glasses of punch.

I give him a tentative smile and feel my face grow warm.

But just as I’m thinking it’s Harry, he waddles by, trips, and spills punch in my lap. Seems he was on his way to the girl beside me. They both apologize profusely, and he offers me his handkerchief.

I look at the spot on my lap that is spreading along the fabric like some kind of disease. I can’t meet Harry like this, even if he is here, although by now, he probably caught sight of me and beat it on home.

I feel the urge to cry, and I’m not going to do it in front of all these people, so I make a beeline for the door.

I’ve had it. I’m walking home.

When I reach home, I change clothes to my sweats, and pull out my laptop.

“Harry, are you there?”

No answer.

“Harry?”

Nothing.

Now, I’m sure I’ll never hear from him again. He saw me at Williams’, and he’s not interested in a fat girl. Tears burn my eyes and blur the computer screen.

Suddenly, my bedroom door flies open. Mother! She’s home early (my fault!), eyes on fire, and so angry she can’t speak. She grabs my laptop and hurls it to the floor, then turns on her heels and slams my bedroom door behind her.

Horrified, I pick up the pieces and try to reassemble, knowing it’ll never work again. I’ll never be able to talk to Harry now. Never. I feel as if my heart were literally cracking apart.

Even a fat, ugly girl can suffer a broken heart, you know.

I don’t know how long I sit there, computer pieces in my hands, before I hear a car pull up. I look out the window to see a man getting out of a Porsche Panamera S Hybrid. Not that I know anything about cars, but I do know it’s a Williams’ car.

The man is backlit yellow-gold by the street lamp, but I can see he’s a big guy. He’s carrying something under his arm.

I’m curious, so I peek out my room just as my mom opens the front door. Cindy and Dru are huddled around her as the man walks in. He has curly chocolate brown hair, a curl hanging down on his forehead.

“Is Ann home?” he asks, and my eyes widen. Me? What does he want with me?

Mother is probably wondering the same thing.

I can’t let a stranger see me like this. My sweats and stocking feet. I’m fat and ugly and—but then I see that he is also wearing a sweat suit. Who is this man? My curiosity overtakes me.

I slip cautiously out of my room and stand in the shadows where I hope no one can see me. “I-i’m Ann,” I whisper.

He walks up to me, kneels down, and puts the box on the floor, which I can now see is a shoebox. Williams Sport Shoes.

He looks up at me with the warmest eyes I have ever seen, brown with little green specks. A smile spreads across his lips. The room is silent as he reaches for my foot and slides it effortlessly into a size eleven jogging shoe. Then he puts the other shoe on my other foot and stands. This man is Harry—my Harry.

“What the—” Mom starts, but for once she is lost for words.

Harry turns to her. “Pardon me if I forgot to introduce myself. I’m Harold Scott Williams II. I believe your husband works for our company. I hope you won’t mind if I take your daughter for a ride in the company car?”

No one breathes as he glides me to the door. At the threshold, he reaches into his pocket and turns.

“Oh yes. I think one of your daughters left this on the steps of our house.” He tosses a glass slipper onto the couch. Then, he looks back to me, and we walk outside, the air warm and fresh as a new day. A breeze tickles my face.

Suddenly, I get this crazy thought: I have to go back for my laptop. But then I remember it’s broken.

And anyway, why do I need a laptop when I’ve got my Harry?

THE END

Interview With Our Winner - Mary Matsumoto

Interview with Mary Matsumoto

by jcaska

1. How did you come up with the idea for your story?


I get a lot of story ideas while jogging.  I’m by myself, the blood’s pumping, adrenaline flowing, and my thoughts flow freely. Yet, I seem do better with prompts because the idea of writing anything in the world is too broad, too hard to pin down.  In class, we were assigned to read the Cinderella story for structure, so as I jogged, I began to wonder what the story would be like told in a different point of view, different time period, and different voice.  The idea of telling the story with one of the stepsisters as the heroine was intriguing to me because in the story we read, Cinderella was the most beautiful woman in the world, had the most beautiful dress at the ball, had a dainty foot, and so forth.  I thought, why does the good person always have to be beautiful?  I know many people who are good and kind but not beautiful, maybe overweight, have big feet or have not-so-pretty faces.  This story is for the not-so-good looking people in the world who are beautiful on the inside.


2.  How long did it take you to write “Cinderella - the Real Story”?


For two days, I took my ideas with me mentally while jogging. I decided to do it in first person, and the voice began to take shape.  Mentally, I added one detail at a time.  Then, once I had my ideas clear in mind, I was anxious to get them down, afraid I’d forget, so when I had time to sit down and write, I wrote the first draft in one sitting, taking maybe an hour in a half to two hours.  I started the revision process after that.

3. What was the writing process involved in creating this piece?

I tried to keep what I had studied on structure in mind while writing-complication, complication, climax, resolution, and I wanted to write from beginning to end in one sitting because I wanted to keep the voice consistent.  I went back later to add description and other details.

4. Are there any quirky parts of your writing process that helped you write “Cinderella - the Real Story”?

I don’t know about quirky, but I like to write in my bedroom, because I can keep our animals outside-no interruptions-and I’m comfortable here.  It’s the only room with air conditioning in the summer, and because it’s a waterbed, it’s warm in the winter.  Besides, this is where I keep my writing books (two bookcases full) and all my other tools, including my laptop.  I’ve been writing here for years, and I think my mind associates this place with writing.

5. Was there anything surprising that came up in the story - something you maybe weren’t expecting?

Not when I started writing.  The surprises came more as different ideas popped into my head while I was jogging, almost as if someone else were feeding me ideas.  I’d encounter a problem with the story line, and then boom! The solution would pop in my head, and I’d think, yeah, that just might work.  It’s always that way when I’m jogging.  I just wish I could carry my laptop with me and get everything down as it comes.  I tried jogging with a pen and paper, but I can’t slow down to write-and then the paper gets all wet from sweating.  Maybe I need a recorder.

6. What was the revision process like for this story?

I always like to get the first draft down as quickly as possible, from beginning to end, then put it aside and forget about it for a day or so, or at least a few hours, depending on the deadline.  I like to do something completely non-writing related so that I can come back and have a fresh look later on, as if I am a reader pouring over someone else’s work, as if I am reading it for the first time.  I also like having a word limit because, as in this case, I had to chop, chop, chop.  I tend to be wordy, and I think a story is much better pruned of unnecessary words anyway.  

7. Is there any aspect of your writing in “Cinderella - the Real Story” you could identify as something you’d like to change, or perhaps improve upon?

There are many areas I’d like to improve on in my writing in general, and that, of course, would affect not only my Cinderella story but everything I write.  I wish I could recall exactly the right word or phrase for a piece when I need it.  I struggle for that.  I also wish description came more easily, especially stronger and more colorful verbs and more specific nouns, better similes and metaphors.  I’d like to be able to put my reader in the setting and to be able to do it with as few, well chosen words as possible.

8. What aspect of your F2K learning feels the most significant to your success with “Cinderella - the Real Story”?

I like being able to concentrate on one writing element at a time so that I become conscious of using each element.  My favorite part of the course was structure, because that’s like the backbone of the story.  It’s what makes a story a story.  I liked being able to read about it, then have an example to use to identify the parts of structure.  I also like having deadlines and be able to write, knowing someone will read what I’ve written, as we all did for each other.  I like comparing what others come up with to what I’ve written.  It’s fun to see all the possibilities.  I was really impressed with the pieces I read.  I also like having to analyze what makes a piece work and how it can be improved so that I can give feedback.  I can apply what I learn from that to my own writing.  And, of course, receiving feedback from others is also helpful.

9. What reaction from the story’s readers has most surprised you, or disappointed you?

I think, for the most part, I was satisfied with my readers’ reaction.  Of course, a few didn’t pick up on clues or points I was trying to make, but that was probably my fault.  On the other hand, some found things I didn’t even think of, like details on the theme of the story, for instance.

10. What, as a writer, scares you the most?

Well, of course, no one likes rejection, so writing a piece others may think stupid is somewhat scary.  Sometimes thinking about the reader’s reaction as I write stops the flow.  I’ll put down one sentence, then delete it, start another one, delete that, thinking that someone won’t like the way I worded it.  I think it’s impossible to please everyone, though, so a writer has to be prepared that not everyone will like what he writes.

11. What is the best writing advice you’ve ever received?

Just get it down.  Don’t worry about whether it sounds stupid or not because it isn’t set in stone; it CAN be changed later.  Put down whatever comes out and work with it later.  It’s like getting this mass of clay on the table before you.  As long as it’s there, you have something to play with, to mold and refine.  If you don’t have the first draft in front of you, you don’t have anything to work with.

12. Do you have any plans for “Cinderella - the Real Story” beyond publication in the F2Kzine?

I haven’t really thought about it.  I guess it’d depend on whether I retain rights to the story and whether I could find a market that would publish something that’s already been published.  In the meantime, I’ll just add it to my story file and maybe take it out from time to time to share it with a friend or reread it myself.

13. What direction is your writing taking now?

About six years ago, I kind of overdosed in writing and experienced a major burnout.  I quit my position as a feature writer for our local weekly newspaper, quit all my writing groups, and stopped writing completely.  Then, when I saw that a new F2K class was beginning in April, I decided to enroll to help me wade back into writing, being a little more cautious this time.  I have to admit that the whole experience was a big boost to my confidence.  I’m thinking of pitching an idea to my former editor for a weekly travelogue column-covering places in our area mostly, but also longer trips and tips on travel.  It’s something I’ve been thinking about for a long time but haven’t had the courage to go for it.  I don’t know if the editor will be interested in the idea or not, but my experience with F2K has given me the push I need to try.

Other than that, I may just get out two novels I completed and workshopped years ago and read them.  If I think they’re good enough, I may just try marketing them again-that is, after I’ve dusted them off, aired them out, and scrubbed the mold off.

BIO:

Mary Matsumoto has had hundreds of feature articles published in eight different newspapers, spending three years as a regular feature writer for one of them.  Her short stories have appeared in print and electronic journals.  She has written two novels, Portrait of Eva's Mother and Forgiving Father. And she has participated in various writers groups and conferences.  She enjoys traveling within the United States and to foreign countries.  When she’s not writing or traveling, she is entertained by her dog and two cats, who are absolutely insane but cute, nonetheless.

Interview With Our Winner - Rose Gardener

 

F2K Contest Winner - Session 1:

 

An Interview with Rose gardener by Joan Caska:

 

1. How did you come up with the idea for your story?

 

From a throwaway comment in the café about using a leprechaun as my muse next time I do the F2K course. I was drifting off to sleep thinking about the lesson and the story outline was there in my head when I woke up.

2. How long did it take you to write “Strike it Lucky”?

 

Dream time aside? About two hours. Plus a quick edit to check punctuation later.

 

3. What was the writing process involved in creating this piece?

 

I'd read 'the hero's journey' and wrote a paragraph or so for each step. Then I played around with the wording to put in as many silver moons and golden dawns as I could. I hadn't read up on metaphors then but I was aware of trying to 'show' my theme of 'Time spent with loved ones is the greatest wealth we could ever wish for.'

 

4. Are there any quirky parts of your writing process that helped you write “Strike it Lucky”?

 

I read aloud everything I write, acting out the part of each character. With dialogue especially, it helps get the accent right.

 

5. Was there anything surprising that came up in the story - something you maybe weren’t expecting?

 

The four leaf clover. I wanted to put one final obstacle in Padraig's path to throw him into despair. What could be worse than thinking you've reached your goal, only to find yourself faced with looking for a needle in a haystack? I think my leprechaun muse was actually at work at that moment!

 

6. What was the revision process like for this story?

 

Quick. I wander round muttering to myself as I'm writing to get the exact word I want before I commit it to the page, so there's very little afterthought in my work.  I'm also hopeless at punctuation and have to go on instinct. If I start thinking about it I go haywire, so I try to do just one quick edit to make sure I haven't written anything totally stupid. It probably shows. *blush*.

 

7. Is there any aspect of your writing in “Strike it Lucky” you could identify as something you’d like to change, or perhaps improve upon?

 

Metaphors! They're my 'in-thing' at the moment. I'm reading up all about them so I can incorporate it consciously into my work instead of them getting there by chance, as at present.

 

8. What aspect of your F2K learning feels the most significant to your success with “Strike it Lucky”?

 

All of it. But especially character and conflict. Without those there is no story.


9.
What reaction from the story’s readers has most surprised you, or disappointed you?

 

Everybody thought the theme was that home is our true riches. Nobody picked up on the wasted time away from loved ones idea, despite the soil he worked so long being trickled through his fingers like grains of sand. I failed miserably there!

 

10. What, as a writer, scares you the most?

 

Nothing really. That's the joy of writing. I've known plenty of fear in real life but writing is my escape and a chance to experience our worst fears without the consequences.

 

11. What is the best writing advice you’ve ever received?

 

'Do or don't do, there is no try.' Just write. It gets better the more you practise.

 

12. Do you have any plans for “Strike it Lucky” beyond publication in the F2Kzine?

 

Nope. Isn't that enough?  *laugh*

 

13. What direction is your writing taking now?

 

I've got a novel reasonably complete in my head that needs typing up. There are three more novels floating in my subconscious that I want to develop more fully, but so far they are just the titles and plot outlines. I also love flash fiction. It's my relaxation and distraction from doing any 'proper work'. Hopefully taking part at WVU will help bring my writing up to publishing standard one day.

 

Bio:

Rose read Pollyanna as a child and adopted the 'glad game' as an approach to life. She knows that life is not just what you make it but how you choose to look at it. She'll jig for joy in her grave if just one person learns that fact from reading her life's work. But if the rest of it never gets published, then word of mouth, one friend at a time, will do instead.


 

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